Firefly Announces MetaMorph: Dungeon Creatures
Firefly Studios reveals fresh IP developed by a new internal team. Gather the spirits of fallen heroes, morph between them and fight for your life!
Morph between spirit forms and crush hordes of evil minions! The Lords of Death have returned and with the green, fertile lands of the overworld under siege it’s up to you to take the fight beneath the earth. Liberate dungeons, free the spirits of fallen heroes and turn their powers against Death himself!
Trailer – https://www.youtube.com/watch?v=HjkvXS6XPhk
Direct Download – https://we.tl/1LBhSId2f7
Welcome to MetaMorph, an original title from Firefly Studios’ new ‘Firefly Labs’ team releasing this year on Early Access. A strategic dungeon crawler that rewards character switching, elemental counters and crowd control, MetaMorph challenges you to best a series of increasingly difficult dungeons filled with fire imps, vengeful wisps and hulking golems. These things are all trying to kill you. Good luck!
To survive you must solve the ‘puzzle’ of each encounter. Choose which spirit forms to take into battle and morph between them at will to counter enemies of all shapes and sizes. Plan your attack and react on the fly as you combine strategy with twitch skills to decimate opponents and reclaim your land from the Lords of Death.
- MORPH between powerful spirit forms, shapeshifting to counter and crush enemy hordes.
- MASTER tactical combat in an adventure that rewards strategic choices over button mashing.
- EXPLORE hostile dungeons infested with demons, grotesque experiments and vengeful spirits.
- CUSTOMISE your heroes’ ability loadouts and team composition before braving each hellish lair.
- BANISH Death’s horde to the nether realm with each hero’s unique powers and attributes.
MetaMorph: Dungeon Creatures is the creation of ‘Firefly Labs’, a new internal team at Firefly Studios responsible for prototyping new IPs and game concepts outside the company’s traditional expertise in strategy-simulation. While the core Firefly team will continue to work on Stronghold titles including Stronghold Kingdoms mobile, Stronghold 2: Steam Edition and a new mainline Stronghold title for PC, the Labs team will develop MetaMorph for release later this year on Early Access. MetaMorph will be developed with the help of Firefly’s core community, with the aim of leaving Early Access and releasing worldwide in early 2018.
MetaMorph: Dungeon Creatures launches on Steam Early Access later this year: http://store.steampowered.com/app/606870/
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About MetaMorph: Dungeon Creatures
Morph between spirit forms and crush hordes of evil minions! The Lords of Death have returned and with the green, fertile lands of the overworld under siege it’s up to you to take the fight beneath the earth. Liberate dungeons, free the spirits of fallen heroes and turn their powers against Death himself! A strategic dungeon crawler that rewards character switching, elemental counters and crowd control, MetaMorph challenges you to best a series of increasingly difficult dungeons filled with fire imps, vengeful wisps and hulking golems. Solve the ‘puzzle’ of each encounter by choosing which spirit forms to take into battle and morph between them at will to counter enemies of all shapes and sizes. Plan your attack and react on the fly as you combine strategy with twitch skills to decimate opponents and reclaim your land from the Lords of Death. For more information visit the website at www.playmetamorph.com
About Firefly Studios
Firefly Studios is an independent PC game developer specialising in real-time strategy and MMO titles since 1999. Formed Simon Bradbury and Eric Ouellette of Caesar and Lords of the Realm fame, the company has brought to market many high profile and commercially successful strategy games. These include the Stronghold series with lifetime sales of seven million and Stronghold Kingdoms, which currently has five million registered players from over 100 different countries. Firefly has offices in the UK and US, with around 30 full and part-time staff. For more information visit their website at www.fireflyworlds.com or follow @fireflyworlds on Twitter.
©2017 FIREFLY STUDIOS LIMITED. All rights reserved. FIREFLY STUDIOS LIMITED is a trademark or registered trademark of FIREFLY HOLDINGS LIMITED.





With most attractions either too lame, extreme, or fallen into complete disrepair and many of their employees appearing to have completely checked out of reality Kanie ends up furious by the time his strange visit to the park comes to an end. With only a delightful snack appearing to be the selling point, he manages to meet with the manager of the park, a young girl by the name of Latifah. While this may seem like your average park fallen on hard times, things begin to take a unique twist when it is revealed that this young girl is actually a real princess and that the Amagi Brilliant Park is in fact home to magical creatures who have left their homeland.
One of the most interesting aspects of Amagi Brilliant Park is that it manages to combine fantasy elements and slice of life development together in a nearly flawless manner. While many series may lose time trying to introduce various characters or solve small problems while sacrificing development of the core storyline, this series manages to do both at the same time as nearly every action that the characters make ends up helping the park in some form. Whether it is introducing us to new characters that end up pulling their weight more in the park or developing new ideas for ways to attract customers, both of these work together to create an interesting series to watch.
The main characters that tend to interact with Kanie though tend to be the blunt Isuzu who rarely speaks her mind outside of one development where she’s afraid to share too much and three mascot characters that are almost always able to make you smile simply due to how out of character they are with their appearances. Whether it is the pink cat with a perverted nature who likes explosives, a lazy sheep with a temper, or the most stand out character who hates being called a knock-off, a mouse who will appear quite familiar to fans of the Full Metal Panic series.
The other aspect comes in the form of the character designs. With bright and colorful designs that are nicely detailed with quite a number of unique looking characters, especially in the forms of the park mascots, you’ll always be eager to see what will happen next thanks to these designs. It is interesting to note that there is a bit of fan-service in this series but it is kept fairly tame or is poked fun at by the more lascivious characters being punished.
The soundtrack throughout the series is fairly standard in nature outside of the aforementioned insert songs that are performed by the characters. The opening theme “Extra Magic Hour” by Akino with bless4 is a great opening track for the series and is a delightful song to listen to and as for the ending theme we have “Elementario de Aimasho” performed by the Japanese voice actors for the four Elemental fairies and this theme song serves the series well with a satisfying light-rock closing that touches upon each of the elements of the girls.

While this does little to earn him many friends, his first real case comes at him fast and immediately exposes the risks of falling back on old ways. After a terrible train crash leaves many patients injured, a young boy with severed limbs is immediately discarded by an older doctor who prescribes amputation as the only method. Knowing that there is a better way, Hazama steps beyond his position as a student to take on the patient and reattach his limbs. Despite his eventual success, he is shocked by the poor nature of almost everyone around him thanks to his superior writing the child off as someone who could barely be saved and the fact that the parents of the child eventually resort to blackmail to pass off the majority of the surgery fees.
This includes follow Hazama as he travels to Vietnam only to be captured and have to deal with the issues of both being a prisoner of war as well as soldiers who are struggling to not only survive the war, but determine just what is right and wrong. A brief trip to Chicago where racial divide continues to play a major role in society after the death of Martin Luther King Jr. that not only touches upon those issues but also the dark side of science and humanity, before bringing itself to another three episode arc only to end on a rather bland note in yet another one-off episode that does little to really establish Hazama as Black Jack other than simply saying that he would eventually go on to take a different path than most doctors.
Rarely are we given a look beneath his calm exterior to see that things are actually deeply affecting his outlook on the course of medicine. In fact on more than a few occasions he reacts completely emotionless, something that doesn’t really pan out when compared to the Black Jack that fans eventually know him to be. This combined with the lackluster finish for this anime season, leads to a bit of a divide between what fans of the classic series expect and how things are left off.
It is also worth noting that despite being a series that features a large number of surgeries and scenes that take place during the Vietnam war, there is very little blood or gore involved and while surgery is shown quite often, viewers are presented with a side-view of the action or simple highlights of Hazama’s sewing and surgery techniques against a simple background, making for an appealing but overly simplistic artistic choice.
The soundtrack for the series is fairly standard fair for a series such as this with a mix of dramatic and heavier tunes used during operations and darker scenes. As for the opening theme for the series, it is titled “I am Just Feeling Alive” by Umi Kuun and is rather upbeat and catchy to listen to, albeit not exactly the type of song that one would expect from the series. The ending theme is “All Categorize” by Takuto and is more toned down to the point of being too simplistic in nature.
























