Worms Revolution has been released, and you can find Capsule Computer’s own review HERE, but that doesn’t mean that the game has to get stale. One way to make sure that the game keeps fresh and fun is to add more content for players to access and enjoy, which is exactly Team 17’s plan with the newest DLC coming out for the game on Wednesday.
Being released for Xbox 360 through XBLA, PS3 through PSN, and PC through Steam, the Funfair Pack DLC adds a new theme to the wacky Worms combat. With 5 new single-player puzzle missions, 4 new weapons to utilize against your foes, new customization options to match the Funfair theme, and the return of Matt Berry as Don Keystone, the narrator for the single-player puzzles.
Priced at 400 MS Points for Xbox 360, $4.99 (£3.19 / €3.99) for PS3, or $4.99 (£3.99 / €4.99) for PC, players can download the new Worms Revolution Funfair Pack DLC tomorrow, Wednesday October 24th. Be sure to also check out the screenshots of some of the new features in the gallery below to get a look at what’s coming.
Linebarrels Of Iron Complete Collection Studio: Gonzo Publisher: Madman Format:DVD Release Date: Out Now Price:$59.95 (Buy Here)
Overview
Linebarrels Of Iron is a Mecha Anime that follows the organisation JUDA in their war against the initially evil KATO organisation. However, the show is a horrible mess that you absolutely have to see to believe. I’m a hardcore Mecha Anime fan (so far of one that I call them Super Robot Anime) and even I couldn’t cope with this show. Read on to find out why.
Story
If only this was your typical Mecha Anime, then it might have actually had a decent storyline. What you will observe from this shows story is that it is anything but. I mean really, it is the most contrived, nonsensical and annoying story you will ever participate in watching.
Of course, you will only come to realise this if you happen to survive the the first disc of this series. I mean really, who in their right state of mind directs such an awful opening set of episodes to a new series? Who!? Who does that!? Really!? Most Anime fans have a three episode rule when picking up a new series and I think that those that do will drop this at the end of the first episode. Even though the series does pick up slightly after these first 5 horrible episodes of horribleness, the first few really will turn people off. I was tempted to write this review after watching only the first two episodes. Luckily I didn’t, but if you didn’t enjoy the first few episodes, do not bother watching this.
What’s interestingly bad about this series plotting is that it doesn’t really appear to have any. One minute it’s a highschool melodrama with mechs in it and then the next it’s an Evangelion clone. Even after that it suddenly changes the plot again and then there’s people changing sides all of a sudden and enemies are becoming allies and there are info dumps everywhere to make sure the viewer is keeping up. While I was able to keep up with the show and was able to follow it fully, it is just so completely stupid and cliched that it almost falls onto parody territory. In fact, I would have preferred it if this -was- a parody. It isn’t though.
Oh yeah, by the way, this is a harem Anime. No, this is THE harem Anime. I swear, the only way they could have made it more clear that every female wanted the main characters penis was if one of the main female cast explicitly stated that she did. The problem with this is that the main character himself exhibits no admirable male traits at all. At least Golgo looks manly, this character has absolutely nothing going for him, personality and vanity wise. I mean, it’s hard to believe any woman wants you when your only trait is being almost as horrible as Shinji.
Visuals
This show is plainer than plain with more plain on top. This show is like eating only salt visually. In fact, I’d go so far as to even say that shoving salt in ones own eyes would make for a much more pleasurable viewing experience.
Let’s take a look at the components of this show visually, shall we? First, we have the Mecha designs. Now to be fair, the Mechs (Machina) actually have a pretty cool design behind them. However, when they are displayed in the show, it is only as a primitive 3D model that look incredibly horrible. This is even worse when you combine it with the next point.
The next point is that even when displayed on a low res setup, the show is an incredibly blurry mess. This is especially true when the Mecha are in combat and are moving everywhere. I am incredibly glad the Anime industry is moving away from 3D models, but this is definitely a products of it’s time. I’m not entirely sure why this show was so blurry, even when playing at the native resolution for DvDs, it was just bad.
The character designs in this look like they were lifted from other more preferable characters from other shows. For instance, there is this one character that looks like Kato from Gantz. He even behaves like a simplified version of him at times. The only exception to this rule are the female characters, who look like every other female character from every other show. The villains are kind of cool, but they just seem to have taken stereotypes from around the world and stuck them in the same room. Ever wanted to see Dracula in the same room as a Cowboy? Watch this show.
Audio
The audio in Linebarrels Of Iron are its strongest point. Right from the get go you realise the superiority of the opening theme rendered by the incredibly beautiful ALI PROJECT group. The first ending theme is equally as awesome and having these two traits is usually enough to sell me on a series. The second ending was pretty average, but the first ending was ultimately beautiful.
What was really cool about the audio in this show was that they reused variations on these same themes which added a greater sense of beauty to overall soundtrack. Hearing the opening theme played entirely on orchestral instruments sounds amazing in some of the later scenes in the show.
However, that is about where the audios greatness ends. After you take into account the awesome themes and insert songs, all that you’re left to consider are the shows horrible dubs (both English and Japanese) and the equally horrible audio work. This is something that confused me as a viewer because somebody in the audio department had to have known what they were doing to have selected such incredible insert songs and themes. How did a lack of quality even manage to get in there at all, let alone stick for an entire series?
One last thing you’re going to hate about this series is the entire casts obsession with the phrase “Hero of Justice”. Seriously, I kept a counter going for whenever that phrase was uttered in the show and it eventually broke. So I’m assuming the counter ended somewhere at a count of around ~9001. This is especially prevalent in the earlier episodes, but it does linger throughout. I think the least amount of times it was spoken in an episode was around 10 times.
Extras
I think that whomever was responsible for packaging the DVD release had to have known that this show wasn’t worth the value solo. So they’ve filled this to the brim with Special Features. There’s a massive list here and some of them are actually pretty impressive to watch (in particular the music video, *drools*). The following is a list of all Special Features:
Commentary
Promotional Video
Japanese TV Spots
Music Video
Textless Opening and Closing
Magazine Illustration Art Gallery
Madman Trailers
There is also an additional OVA disc which contains a further two episodes. It’s an interesting watch.
Overall
Overall I’d have to say that this show is only worth watching in the same way that watching a house explode would. It’s an incredibly horrible mess that might end up hurting you somehow, but yet, it’s just so horrific that you can’t look away. You have to keep watching, keeping an eye on the horrible mess unfolding before your eyes. Watch with booze and buddies that love dubbing over a show.
The Walking Dead: Long Road Ahead Publisher:Telltale Games Developer: Telltale Games Platform: PC, Mac, PSN, XBLA (Reviewed) Release Date: August 29, 2012 Price:$4.99 – Available Here
Overview: Very few games can derive an emotional response from players and even fewer titles can make a gamer actually care about the characters in the game. Now while full retail titles may struggle with these concepts, one episodic series has managed to accomplish this with only two episodes so far. I’m talking of course about Telltale’s The Walking Dead. We’ve already covered the first and second episodes of Lee’s journey, the reviews of which can be found here and here, but how does this third episode turn out? Let’s find out.
Story: After surviving the events at the dairy farm, Lee and the rest of the survivors have been raiding Macon in an effort to scrounge up any supplies that they can. However Macon is nearly picked clean and every time someone ventures into the town more zombies seem to appear and the stakes grow higher. With Kenny’s RV fixed up and ready to go at any time, the survivors are at a breaking point over whether they should stay or whether they should go.
With the group practically fractured at this point, all it takes is one more push to send everything into a downward spiral. When their meager supplies start mysteriously disappearing, Lily sets Lee on a mission to find out who is taking their supplies and what they are doing with them. However before a true culprit can be discovered, the group is forced to leave the hotel in a spectacular fashion. With tensions high and only a long road ahead of them, what will happen to Lee and Clementine now?
As anyone who played the last episode will remember, the story focused around the outside elements surrounding the group and the darkness of human hearts. This time around the focus of the storyline is set directly on the group itself and their interactions with one another as their situation becomes increasingly desperate.
Of course, player choice still plays a role in Episode 3 and gamers will encounter a number of difficult decisions and making a choice has never felt more difficult. While players may try to play with the best intentions of the group in mind, a number of difficult decisions will leave players hesitating, unsure of what to do next.
A number of few new characters are introduced this time around, a train riding hobo and a couple of young adults. While Chuck the hobo provides some sound advice, little is known about this man and even less is known about the couple as players are only given a short time to acclimate to their presence.
If you thought that any of the previous episodes of Telltale’s The Walking Dead had, for lack of a better term, What The F*** moments, then you haven’t seen anything yet as a number of occurrences throughout Episode 3 will leave the player’s jaw on the floor. Outside of these dramatic moments, there are still a few touching scenes with Lee and Clementine as the two’s bond deepens in the hellish world and plenty of moments that will throw the player’s emotions into turmoil.
It is worth noting that, like before; Episode 3 does leave off on a rather unexpected cliff hanger, though this time around gamers are left with more of a mystery than dread and worry. However it does provide a decent stopping point for the story and players will be eager to see the continuation of the story in Episode 4.
Visuals & Audio: Episode 3 of The Walking Dead has retained the same sharp visuals as the past two episodes, with the environment and the characters drawn in a stylized way that appears to be similar to comic book art. The newly introduced characters and returning characters are still designed impressively while anything involving killing zombies is just as brutal as before.
That being said, I encountered a number of performance issues while playing through episode three. In the middle of the episode I experienced a number of technical issues such as entire character models becoming invisible, though they can still be talked to and interacted with, and a few exploration areas where Lee would begin to rubberband while walking through certain areas.
As far as the voice acting goes, the same level of quality is presented in episode three as in past episodes with the each of the cast voiced well enough, while new characters presented this time around are also given skilled voice actors. The same can be said about the background music and atmospheric noise noise creating a perfect setting for the events as they unfold.
Gameplay: This episode of Telltale’s The Walking Dead focuses more on exploration and talking with your fellow survivors than solving puzzles, though there are still a few included for those eager to solve things. That being said, nearly all of the puzzles you encounter are rather easy to solve, but outside of a few standard puzzles, they do help push the player towards solving a mystery which not only moves the plot forward but reveals some of the darker sides of the group.
It is worth noting that this episode does feature a shooting section where players will need to aim down the scope of a gun and shoot various enemies. The shooting in this mode is awkward at best as Lee apparently still hasn’t gotten the hang of aiming a gun, though the game does lend the player a hand with most shots simply having to be near an enemy to kill them, not a direct hit.
Zombies do play a larger role in this episode than they did in Episode 2, though the focus of the story is still on the survivors and their emotions. It is worth noting though that a lot of people may be a bit upset when they learn how some of their choices in past episodes will end up once the credits begin to role in Episode 3.
Overall: We’ve come to the middle of Lee and Clementine’s journey in this zombie filled world and the stakes have never felt as high as when you make your way through Episode 3. Though there are a number of technical issues which can bog down the experience, Episode 3’s stunning story will make gamers question their past decisions and with each episode as exciting as the next, Episode 3 will leave gamers concerned about what else could possibly happen to the group once Episode 4 rolls around.
Microsofts latest innovation for it’s line of products, Smartglass, is going to be launching on the 26th of this month; which is Friday this week. The Smartglass is Microsofts way of bringing the Xbox experience to home PCs, smartphones and tablets. Smartglass comes alongside Microsoft Windows 8 when it launches this Friday.
The Smartglass concept is one that allows you to switch between devices whilst doing something. For instance, if I was playing an Xbox title, I could swipe the active screen from my Xbox on to my PC and continue playing with my Xbox whilst looking at it through my PC.
Here’s some cool copy-pasta for you –
Partners committed to delivering Xbox SmartGlass experiences
Gaming
Ascend
Dance Central 3
Forza Horizon
Home Run Stars
Halo Waypoint
Karaoke
Kinect Sesame Street TV
Prima Games
Sports
ESPN
NBA Game Time
UFC
Entertainment Apps
Elections 2012
HBO GO
MSN
NBC News
NOW TV
Slacker Radio
TODAY
Univision
If you’re someone checking this out, let us know what you think of the experience. Is this the future of computing?
Razer, leading gaming peripheral makers, have released their upcoming lineup of mousepads. These mousepads are slated for release across the next two years. The Razer Invicta, Razer Manticor, Razer Destructor 2 and Razer Megasoma 2 are mousepads that have had a steady amount of research pured into them to create the most precise mousepads using a variety of materials.
On the new mousepads, Min-liang Tan had the following to say –
“Most gaming mouse mat companies today fill their boxes with marketing jargon and slap an image of a pro-gamer on the side of the package; however, designing a true gaming surface requires in-depth knowledge of mousing sensor technologies, extensive testing and validation by professional gamers,” said Min-Liang Tan, CEO of Razer. “For the first time ever, we are letting gamers in on the design process of a Razer gaming mouse mat, and sharing the inside track on how our industry leading user interface technology and experience allows us to design the very best gaming surfaces in the world.”
The following are a quotation of the mousepads specifications –
About the Razer Invicta:
Versatility of play style is important, especially in today’s ever-evolving, competitive gaming landscape. As such, the Razer Invicta builds on the innovation of its predecessor, the Razer Vespula, to offer users a choice between pinpoint control and neck-breaking speed all on one mat. Go from executing precise headshots to twitch gameplay and back by quickly flipping the mat from one side to the other.
Price: USD$59.99/ EU €59.99
Availability: Exclusively on Razerzone.com – pre-order now
Product features:
SPEED surface for fast mouse movements
CONTROL surface for precise mouse movements
Optimized surface coating for highly-responsive mouse tracking
Robust aluminum baseplate
Product dimensions: 255 mm/10.04 in. (w) x 355 mm /13.98 in. (l) x 4.5mm/0.18 in. (h)
For more information about the Razer Invicta, please visit www.razerzone.com/invicta. About the Razer Manticor Gaming Mouse Mat:
Elevated to a new level of exceptional design and engineering, the Razer Manticor delivers an effortless glide under your gaming mouse. Uniquely stamped and sandblasted out of a single sheet of aircraft-grade aluminum, and specially treated with a sensor-reactive coating for absolute precision, hand and mouse will feel as if they are floating to victory.
Price: USD$49.99/ EU €49.99
Availability:
Razerzone.com – pre-order now
Worldwide – Q4 2012
Product features:
Ultra-smooth, sandblasted surface
Robust aluminum unibody
Thinner, wider profile
Non-slip rubber base
Product dimensions: 255 mm/10.04 in. (w) x 355 mm/13.98 in. (l) x 2.2 mm/0.09 in. (h)
The original Razer Destructor established the standard for exceptional pro-gaming performance with its ultra-precise mouse tracking surface. Today, the Razer Destructor 2 was born to focus on sharpening that precision to a point. It comes with an all-new surface coating that responds instantaneously to the sensor as mouse glides over mat, ensuring a feeling of absolute control over your every movement in-game.
Price: USD$39.99/ EU €39.99
Availability:
Razerzone.com – pre-order now
Worldwide – Q4 2012
Product features:
Optimized surface coating for highly responsive tracking
Micro-textured finish for balanced gameplay
Non-slip rubber base
Product dimensions: 255 mm/10.04 in. (w) x 355 mm/13.98 in. (l) x 2.2 mm/0.09 in. (h)
The Razer Megasoma became a worldwide phenomenon as a revolutionary hybrid soft/hard mat that delivers the comfort and flexibility of the former, with the precision of the latter. The Razer Megasoma 2 returns with a complete overhaul of design and construction, improving surface stability for marked improvements in mouse control.
Price: USD$39.99/ EU €39.99
Availability: Exclusively on Razerzone.com – Q4 2012
Product features:
Hybrid silicon soft/hard mat
Specialized texture design for comfort and precision
Durable anti-static, anti-fraying surface
Non-slip rubber base
Product dimensions: 230 mm/9.06 in. (w) x 350 mm/13.79 in. (l) x 2.3 mm/0.09 in. (h)
Paramount Pictures has released another clip for the suspenseful horror movie Paranormal Activity 4. This trailer involves a montage of the more shock moments of the film, including the lead up to Ben’s unfortunate end. It kind of gives away part of the movie, but who really expected the main character’s boyfriend to survive the film?
Paranormal Activity 4 debuted at number 1 in the US, earning $29 million. Overall, the movie earned a world total of $55 million. That’s no chump change, but it didn’t quite perform as well as its predecessors.
Capsule Computers wrote up a review on the film, read it HERE.
What do you guys think? Is this a movie you’re looking forward to if you haven’t seen it yet? Or, if you have, what did you think? Or do you just think this is one too many Paranormals for you and you’d like to get back to boring old Normal Activity.
Watch the latest clip release below entitled ‘Behind You’.
Make sure the check out the rest of our movie news and reviews on Capsule Computers.
This episode of Dexter is entitled ‘Run’, something Speltzer painted in the maze during last episode, so guesses are he’s going to be featuring this episode. And a showdown between brute force, mass of muscles Speltzer and wiry, smart Dexter is something that I’d pay to see.
The episode starts with Debra taking a relaxing bath and Dexter and Masuka combing the mausoleum for clues. Dexter and Masuka come up with nothing, while Debra has a blood bath. Literally. The water in the bath is now blood and it keeps pouring out of the tap no matter how much she turns the faucets. Really should get that checked. Dexter stands in her doorway wearing a wedding suit and asks her to ‘be mine’. Clearly her subconscious is screaming at her about Rita’s death.
Deb’s never one to ignore her instincts, so the next day she drags Dexter into the narrowest alleyway in the world and confronts him about Rita. He assures her that Trinity killed her, and that he killed Trinity, and she gets all pissed off because he didn’t help the police investigation. I dunno, I don’t think his methods of investigation would stand up in court. Deb starts railing on him about how his night time activities suggest his lack of ability to love and how everything has changed.
Before they can get too far into that particular argument Speltzer is brought in for questioning. With no other solid evidence, they’ll have to get a confession out of him in order to charge him with anything. Batista puts on his game face and goes in.
At our favourite strip joint the Brotherhood are being all shady and discussing Dexter and what he and Louis have to do with Viktor’s death. Before they can start scheming the cops show up and shut down the strip joint. Again. Quinn makes googly eyes at Nadia and a sassy black female cop chides him for it. He admits it’s wrong of him, but in a way that reassures you he’s not going to stop anytime soon.
Back inside the interrogation room, Angel is cosying up to Speltzer, making sexist remarks, hating on the fact that Deb’s his superior. Then Deb comes in and slams him with the mature, and more harsh, version of calling his mum out. Eventually Speltzer cracks and yells that he should have killed her like he killed the other girl. Nice.
Dexter catches up to Debra afterwards and offers her celebratory drinks. Instead, she suggests Harrison live with Astor and Cody in Orlando. The land of Disney World. That’s a freaking sweet deal, but instead Dexter shuts her down and his protective father instincts kick in as he insists that he’s the best parent for Harrison. Damn Deb, probably shouldn’t have gone there.
The Brotherhood, tired of all the police interruption, have decided to pay a visit to the bartender of the strip joint and set him up as the killer of Anderson, as well as the other two. The bartender is a puppy-dog eyed and agrees to take the fall in order to help his family back home. And in this case taking the fall requires him shooting himself in the temple with a gun and leaving a damning note behind. Working for the Brotherhood is a real bitch sometimes.
Hannah McKay is back, no surprise since she’s the season guest star, she has turned up at the police station. Apparently she’s helping the police track down the other bodies, despite having a not so pleased reaction to the police last time. The fact that she finds Dexter and wanders over to him for a chat is probably one of the reasons why she’s had the change of heart, and still I’m not quite sure what her place as the season guest star is for.
As she walks away from Dexter she passes LaGuerta heading into Debra’s office with purpose. She reveals that Speltzer’s confession is useless because Speltzer never verbally confirmed him understanding his Miranda rights. They all get angry and Dexter internalizes his ability to help without having to worry about silly things like rights.
They all get called to the scene of the bartender’s suicide, with the Brotherhood being super sneaky and watching from a car down the street. They spot Dexter and then creep away. On the inside they’re analyzing the crime scene, Quinn is happy with everything, and Batista is getting a major Spidey sense tingle from it. Dexter silently analyses the scene wondering to himself who set it up, since he knows Viktor was the one who did it.
Dexter returns home to Baby Batista sorting through Harrison’s toys. He has this really sweet moment with a baby blanket and suggests they keep it for Harrison’s sake. Baby Batista agrees with a look on her face that screams she knows that it’s for him, not Harrison. Then he looks at the air conditioning unit with purpose. Looks like he’s thinking about doing some spring-cleaning himself.
Dexter heads back to the cemetery the next day to stalk Speltzer, who is back to work now that he’s been released from police custody. Say what you will about him, his work ethic is pretty strong. Dexter takes a look around Speltzer’s RV, the perfect kill room, but before he can leave Speltzer opens the door and charges him. They have a brief struggle, Dexter holding his own, but Speltzer is a roided up crazy man, and he knocks Dexter out in the end.
Dexter wakes up in a building that looks like a Saw movie set with a note that says ‘Run’. Speltzer’s not really one for verbosity is he? There’s a chase scene through this maze of horrors, including one of the most freaky rooms ever, filled with mannequins and strobe lighting. Dexter cottons on to the fact that Speltzer is driving him down the levels, so instead he goes up, onto the roof, and escapes. Damn, that man is good.
So this whole trapped in a maze by a maniac thing inspires Dexter to send Harrison off to Orlando – but not because Debra suggested it – and Baby Batista drives him. She is seriously the most awesome babysitter ever, Dexter must be paying her a fortune. Now he is free to track and take down Speltzer without worrying if Harrison might be put into trouble. Because having your son almost sacrificed last year makes you a bit cautious.
The leader of the Brotherhood, Isaac breaks into Viktor’s apartment, grabs a photo of Greece from the mantelpiece and takes out the back of it, revealing a picture of him and Viktor together. He looks fairly upset about the whole thing, clearly he and Viktor were close (though in what regards isn’t said), and he promises to avenge Viktor’s death. Uh oh, Dex.
Deb is at the funeral for the waitress that Speltzer killed and flips her lid when Speltzer turns up and smirks at her from his car. That night back at her place Dexter shows up because he heard it and then they have another ‘Everything’s changed! No it hasn’t!’ arguments.
Batista and Quinn, back at the station, are burning the midnight oil and having a nice chat about their lives. Batista doesn’t like how the suicide feels like a set up, Quinn keeps having dates with the stripper, and Batista is a lonely cliché. This show does not make me want to be a cop at all.
Dexter decides it’s finally time to put down the bull and he lures Speltzer by creeping around the cemetery before doubling back and hitting him over the head with a shovel. Attaboy.
Speltzer wakes up tied to a table, and not in the normal cling wrap either, he’s got serious strength restraints. He struggles against them, yelling, and when Dexter mimics him it makes me snort. Seeing the calm and composed Dexter yelling ‘fuuuuuck’ has gotta be a high point.
The cling wrap isn’t the only thing that has changed with his routine, he has decided to no longer collect blood slides, and instead of cutting up the body and dumping it in the ocean he’s set Speltzer up in front of a furnace they use to cremate bodies. That’s a fitting end to Speltzer, being swallowed by flames, and it’s probably a rebirth metaphor for Dexter.
He doesn’t burn him alive though, instead he thrusts a stake through his heart, puts his box of slides on top of Speltzer’s chest, and lets it all go into the furnace. Now let’s hope those don’t survive like the last time one of them was exposed to a fire.
Deb swings by to pick him up outside and he points out the ominous smoke rising from the building and tells her that it’s Speltzer. She replies that she’s glad, though she looks torn by it.
Debra: What does that make me?
Dexter: Human.
Next time on Dexter: LaGuerta’s discovery of the blood slide finally comes to fruition, Hannah McKay shows another side to her, and Isaac gets closer to getting vengeance.
Make sure to check out the rest of our Fall show coverage including reviews and recaps right here at Capsule Computers.
It has been a while since we seen a Pokémon Mystery Dungeon title, and fans of the spinoff series have been left hungry for more. Not too long ago, a new title was teased for the 3DS, boasting new 3D visuals and a brand new design layout. It has now been announced that this rogue-like will be hitting the eShop – rather than seeing a physical release for Japan, which should continue Nintendo’s shift towards top tier digital content.
No word if this Mystery Dungeon will see stateside, but Pokémon Fushigi no Dungeon: Magnagate to Mugendai Meikyu will be hitting the eShop on November 23rd in Japan.
Suburgatory is a show that I’ve always enjoyed, it has everything I want in a comedy show – a snarky, sarcastic lead, social commentary, satire, and lovable characters. The second season premiered recently, something that I was really excited by, until I watched it.
Suburgatory has always been a little different, that’s what made it interesting. But it seems to have lost its tune a little in the premiere of the second season. Previously Suburgatory did a very good job of toeing the line of odd humour and keeping it light and charming.
The season 2 premiere did not do such a good job. Quite a few of the scenes descended into extremely odd, unrealistic, and downright weird sorts of humour. It got to the point where it was just sort of awkward. It was a disappointing showing, especially for a show that did so well in the past.
It might have been the show trying to come back with a bang, in which case hopefully it settles down over the next few episodes. Still, despite this deviation from the norm, it’s still nice to come back to Chatswin again.
Keep tuned to Capsule Computers for more coverage of the Fall shows including news, reviews and recaps.
Overview:
In recent years there has been a resurgence of supernatural themed shows. From Supernatural, to True Blood, to Grimm supernatural shows have varied from a variety of interesting monsters to hammering viewers over the head with very specific species *cough* vampires *cough*. So, what does a show have to do to stand out amongst the crowd? A good plot always helps, as well as strong interesting characters. Lost Girl is a series steeped in the supernatural creatures of myth and legend both old and ancient, but is it something capable of holding its own in the sea of similar shows?
Story: Lost Girl centers itself around the story of Bo, a woman who happens to drain the life out of any human she happens to become intimate with, either kissing or more. Needless to say such things are sure to cause some problems what with all those dead bodies and dealing with police can be quite a hassle, leaving Bo to have spent her life on the run from place to place trying not to kill anyone. Too bad she can’t run away from her true nature.
After so many years and bound to slip up eventually, Bo finally makes a mistake using her powers to save the human girl Kenzi. Leaving a body for police to investigate and staying long enough to try and explain herself to the rescuee proves to be her downfall as Bo finds herself captured by those that can actually shed some light as to what she is. Finally she is clued into her nature as a succubus and that she is part of the supernatural Fae, but knowledge always comes at a price and Bo is forced to choose between the sides of Light and Dark.
Picking a side would be all too easy for a woman like Bo though and as she has been outside of their community living as and with humans for all these years has left her unconcerned with the affairs of the Fae. So what’s a girl to do? Clearly door number 3, side with the humans, staying unaligned to their Fae en devours. This doesn’t make her a lot of friends, but does open up a lot of misadventures for her to get into as she finds where she fits into the world.
Over the course of Season 1, Bo meets plenty of different variety of Fae, but anyone moderately versed in supernatural lore will be pleased to find that there are plenty of interesting types and not just the usual suspects of vampires and werewolves. Creatures range from furies, to kappa, to luck eating Fae so its nearly impossible to guess where the show is headed and who they might be fighting or helping. Even better is that although some of the show is just weekly misadventures there is a great deal of over-arching plot throughout the entire season as Bo finds out where she came from and what part she will play in the future of the Fae, as well as the balance between the Light and Dark.
Visuals:
For the most part the show work to be pretty stylish, with not only how the characters dress but in how many of the Fae powers work. True, with a main character being succubus a lot of the show is super sexualized as well as evidenced by how often Bo is either clad in black leather or nothing at all. Not to be thought of as excessive with its material, though the show is not G rated, it isn’t overly mature either, probably fitting in better as older teens and up kind of show.
As for special effects, the show isn’t extravagant with the budget with a decent amount of practical effects with some CGI the show makes an effort to at least look serious in terms of visuals. A few of the monster makeups seem a tad cheesy, but nothing that would ruin the experience of the show, if fact fitting in with some of the tongue-in-cheek aspects of the show itself. It definitely makes it a point to do an excellent job with major aspects of the series, such as when Bo is draining life from people the effect is great looking as it happens enough that a lower quality effect would have hurt.
Audio:
Dialogue is much like the special effects of Lost Girl, cheesy at points but fantastic at others. Though to be fair there are certainly a lot more cheesy lines and delivery than effects in the show. Not necessarily a bad thing, but it does give the show a specific type of charm that isn’t going to be for everyone. These deliveries does lighten the mood a lot for the show, which is generally why it is a good thing as it would be very easy to take the show in a very dark direction without them.
Music and other sound throughout the series is a mood piece, often in the background to add to the series’ more serious plot points. It in its own way balances out the more lighthearted dialogue to keep up the tone of the show as it progresses the actual story. The theme to the show is fairly short and to the point, with a solid rock rhythm and female vocalization, though no words as shows now a days don’t really do the full lyrics things much. It fits the overall tone of the show however and does pretty well fitting the sound image one would have of Bo herself.
Extras:
For a Season 1 DVD there aren’t a lot of extras to be had, which means all the extras fit into one of three categories of interview clips, behind the scenes, and previews. Previews being the most obvious, it’s best to just get those out of the way now, as a FUNimation release the final DVD includes previews for other FUNimation releases soon to come out, though because of how vastly different Lost Girl is to the usual FUNimation anime selection the previews are all of their live action Japanese titles.
The behind the scenes clips are for the most part bland, many of which overlap the same scenes but at different angles. These do give an impression of how the scenes are filmed, but most fans will get the biggest kick out of the final one which acts as a gag reel and those are always fun. The interview clips are pretty broad, while they are pretty short, encompassing a single topic, there are plenty of them from much of the main cast and crew. These give the best impression of the series though interestingly at its infancy as they were prepared for the first season.
Overall: Lost Girl is a series that focuses on a world filled with the supernatural, but still manages to give it an interesting spin. What might start off as a series that might seem to only have so much depth, viewers should be surprised by how deep the show can just keep going, from obscure and interesting Fae to a well paced and interesting main plot. While not for everyone, this series has a lot to offer those that are into the supernatural genre and are looking for more unique creatures to learn about. I give Lost Girl Season 1
