G5 Entertainment and DAVA INC. released their latest title for iOS. Old Clockmaker’s Riddle is a match three type and story based puzzle game where players will need to complete over fifty levels to help Mr. Ryan rebuild a destroyed town. The task is make more challenging with frozen and locked pieces. The game features two mods, 12 upgrades, five magical tools, 25 houses to rebuild, and 25 mini-games.
Old Clockmaker’s Riddle is available for $4.99 on the iPhone and $6.99 for the iPad. Check out the iPhone version hereand the iPad version here. The launch trailer and screenshots for Old Clockmaker’s Riddle is available below.
For all of you Australian Legend of Zelda fans that live within the Sydney area that haven’t already heard, the Sydney Opera House will be playing host to the Zelda Symphony Orchestra this weekend. The concert entitled Symphony of the Goddess has finally reached Australia after numerous months of travelling and playing to fans in North America, Europe and Asia. Sufficed to say, Australian fans have been demanding with no small amount of vigour that we too be included in the international tour. And lo and behold, it has arrived!
If you love the Legend of Zelda franchise, then this is an experience that you shouldn’t miss, and it’s only for this weekend! There are only three shows in total, one run on Friday the 1st and two shows on Saturday the 2nd of February. Tickets are still available on the Sydney Symphony Orchestra website. Tickets start from $39
Several of our staff will be in attendance at this event, so if you think you can spot one of us (see our Youtube channel if you want to know what we look like) then come and say hello!
When Dead Space 3 was unveiled for the first time at E3 2012, I had more than a few reserved feelings. Switching from Dead Space’s traditional dark corridors and space environments, for a more of a Lost Planet/Gears of War look and feel with a brand new ice planet setting introduced and the controversial addition of co-op in the game’s main story.
Admittedly I was sceptically of the game’s new direction; I mean if it ain’t, broke don’t fix it, right? But getting a hands-on preview with the first three hours of a near finished build of game, I have to say I was more than surprised.
With two critically acclaimed and widely successful games behind it, understandably Dead Space 3 has a lot to live up to. In terms of story, number 3 has learnt from the mistakes of Dead Space 1 and improved on what Dead Space 2 did. Story takes a much larger role in the game third time around with the half-answered questions from the first two games finally getting an honest and satisfying resolution. Speaking with Dead Space 3 producer John Calhoun, the game will almost be twice as long as Dead Space 2 and questions revolving The Marker and origins of the Necromorphs (space zombies!) will be answered in full.
But not only this, the world of Dead Space and its futuristic setting is explored early on with an exciting, fast paced battle though a Luna colony. It’s an imaginative, Sci-Fi world filled with interesting and complex lore that previously hasn’t been explored all too well in the first two games. This of cause is a noticeable change in Dead Space 3.
Fans of the series will also notice that the scope of the games have been increasing with each instalment, from a single, desolated mining ship – the Ishimura in Dead Space 1, to an entire space station – The Sprawl in Dead Space 2, to now an entire frozen planet named Tau Volantis in Dead Space 3. However right off the bat, without spoiling too much, you won’t be exploring the frozen ice planet just yet.
In our play through, before heading for the planet Isaac Clarke and crew will be exploring a derelict ship and its all too familiar dark, claustrophobia corridors. Oh and did I mention crew? Yes, this time around Isaac is teamed up with a crew hell-bent on destroying The Markers. It’s nice to see more faces in Dead Space, cut scenes are fleshed out far more thanks to these new characters. And if you choice to take the newly featured co-op option, then your friend will take up the role of John Carver, the games second protagonist.
Co-op is the other big new feature in Dead Space 3. And while Dead Space purists out there may complain and criticise the developers for the sudden change of direction, this ani’t no Resident Evil 5. The co-op option isn’t forced upon players; it’s just that – an option that’s fully compatible with two different player’s games. As Dead Space 3 producer John Calhoun explains, “with drop in drop out co-op your friend plays for 20 minutes and you two come out, that 20 minutes needs to be valuable for your friend. So we made sure that any progress you made in the game, not matter where you are, will be saved and be part of your experience.”
Overall Dead Space 3 is far less linear than Dead Space 2, and while it takes place on an entire planet, it isn’t fully open-world but rather takes a few cues here and there. Introduced in Dead Space 3 are optional missions inline with the game’s main missions. And of cause as the name suggests, they’re completely optional but if player choice to complete them they’ll be rewarded with valuable items. Going off the beaten path is what the game wants you to do with hidden rooms and items scatted throughout the game.
Survival horror is where Dead Space started and while its trailers may mislead you in thinking that Dead Space 3 is an action game, don’t be mistaken – Dead Space 3 is still true to its roots. From our play through, walking though the derelict ship is just as creepy as ever and ammo is equally as scarce. In the early levels I played, there’s a fair amount of backtracking – and that’s not a bad thing as it all makes sense, there are reasons behind your actions here. As you go about the ship, you powering up the engines, which then in turn unlocks and opens up new areas to explore. Isaac even comments that he’s an engineer not a solider.
And you’ll see him use his engineering skills out within the game. The game feels far more improved over it’s last two instalments, as a sequel should be. While I didn’t reach up till the frozen planet itself, from what I played hands on so far I can say that the game is exactly what you want from a sequel, taking a note from Cliff Bleszinski, it’s bigger, better and more badass. A lot of fuss has been made over Dead Space 3’s controversial inclusion of co-op, and say what you will about it –it’s completely optional and isn’t forced upon players. It’s there if you wanted it, and if you don’t then you don’t have to play it.
You can read the full interview with Dead Space 3 producer John Calhoun here.
Dead Space 3 is set to be released for Xbox 360, Playstation 3, and PC on February 5 in North American and February 7 in Australia.
If you’ve been diligently collecting and hoarding all those precious coins for a rainy day on Super Mario Bros. 2 then now might just be the perfect time to make a withdrawal. Nintendo Australia has announced that because across the globe players have collected a staggering five hundred billion coins that any fan who carries at least a million themselves can receive a unique certificate. This exclusive, limited edition Nintendo Certificate is sure to attract jealousy and maybe even respect from any friends who come over (if collecting one million coins leaves time for friends that is).
All you have to do to receive said award is to submit a photo of yourself and your 3DS while it displays an in-game coin counter of at least a million, with submissions being taken over on this page. This competition and potentially resume boosting reward will be available right up to March 31st, so those close to the mark still have time to make the cut-off if they so wish.
If you’re looking to earn more coins than ever before, feel free to download the Gold Classics Pack for Coin Rush Mode, which uses old, retro Mario levels as set courses. This pack will be free until midnight tonight in Australia at which point it will be made available for purchase only. Also available are the two final Course Rush packs: the Mystery Adventure Pack and the Impossible Pack, which respectively feature intricate labyrinth courses and the toughest challenges Mario fans have ever faced. To purchase these two as well as the eight previously released, head on over to the In-Game shop menu within New Super Mario Bros. 2 itself.
The largest Star Trek convention will be hitting Chicago from May 31st to June 2nd. It will have Star Trek stars like Patrick Stewart, Avery brooks, and many of the cast from The Next Generation and Deep Space Nine. There will be tons events that most trekies would die to see, like the Star Trek: The Next Generation Reunion Performance.
There will also be a music video competition, a costume parade, and lots other fun events. Capsule Computers will be covering the event with Mari Shishido, avid Next Generation fan to the very bone. You can meet and listen to the screen writers of popular Star Trek series episodes, and learn more about them and the motivations for the episodes. Any trekie would be missing out if they had the chance to be there and didn’t go.
Weekend passes are from $239-$389 depending on the level of access you want, and daily passes are $40-$80 depending on what day you want to go on. To find more information on the convention and to buy passes, visits www.creationent.com.
If you’ve been eager to get your hands on the awesome looking online features of Crytek‘s latest title, Crysis 3, then now is the time to take the hunt directly to New York. Crysis 3’s multiplayer beta has now officially seen the light of day for Xbox 360, Playstation 3 and PC; with players taking on the role of Nano enhanced special forces in their battle for domination across a devastated urban jungle inside the New York City Liberty Dome. Crysis 3 allows players to use a variety of powers and enhancements far beyond the capabilities of ordinary soldiers including things like increased agility, strength and reflexes.
In this Beta you can expect to find two different game modes as well as two separate maps for increased variation, with gamers able to reach up to Rank 10 before being capped off in this demo. Don’t worry though, as you’ll have the full potential of levelling up to Rank 50 when the full game is released.
The first game mode is the highly publicised and (in my opinion) most interesting type, Hunter. Across five matches a team of two Hunters with infinite Stealth Energy and armed with Compound Bows are set loose on a squad of regular CELL infantry, whose only goal is to survive until the end of the round. Hunters are tasked with eliminating the entire CELL squad, with each kill resulting in that player returning as a Hunter for the rest of the game. Some tips for this mode include:
When playing as a Hunter remember that you need to pull back and charge your bow for maximum damage, while keeping track of said targets remains easy thanks to all Enemies appearing on Hunter Radar.
As a CELL trooper your task is to outlast the Hunters, with audible motion trackers (Alien style) and a vast range of weaponry available across each load-out. Stick together, play as a team and always check your corners as the augmented Hunters could be anywhere.
The second game mode is Crash Site, a standard Take-and-Hold game with each consecutive point being released from a moving drop ship and eventually self-destructing after a period of time. To get the most points your entire team needs to remain on location, fighting off all those who seek the site for themselves. Remember to:
Always use grenades first on an already entrenched enemy team, this way you put yourself at minimal risk while effectively disrupting enemy lines.
Use the available shields from Drop Pods as defensive tools when holding points or throw it as a lethal weapon when enemies get too close.
Both these modes are available on Museum, a now flooded and overgrown locale that allows for plenty of verticality and sniper play; and Airport, a once bustling terminal turned plane wasteland, with a mix of long lines of sight and close quarters areas.
An in-game feature known as the “New York Feed” allows players to see how their friends are going in comparison to themselves as well as check out challenges that reward bonus XP and receive news directly from developer Crytek. Similar to previous “AutoLog” systems this will ensure that you always know how you’re going in the grand scheme of things, did your friend just complete a hardcore challenge or earn some ridiculous XP for their last game? Time to show them up next time around.
Did any of this get you excited for the upcoming release of Crysis 3? If so then make sure to pick up the game at its release on February 19th for Europe, 21st for Australia, 22nd for Europe and March 7th for Japan; available across the Xbox 360, Playstation 3 and PC platforms . If you’re still not convinced then feel free to try out the brand new open Multiplayer Beta, available for download now across all aforementioned platforms.
Crysis 3’s Multiplayer Beta trailer can be viewed down below.
Both Epic Mickey and Epic Mickey 2 were released to less than stellar public opinion. Though they were much lauded for the creative mind behind them, Warren Spector (the creator of Deus Ex and Thief), the games were unable to generate enough steam to gain much ground, and were ultimately not commercially successful enough to self-sustain.
As it is always unfortunate to hear, it was confirmed that Junction Point Studios, Spector’s development studio, has been closed down by parent company Disney.
Said Spector in a letter on his Facebook page:
“Yes, it’s true. The Junction Point journey is over. To all those who’ve asked, or want to ask, I’m sad but excited for the future.
JPS had a good eight year run. I got to work with some amazing people on some amazing projects. I’ve had some of the most magical times of my life, fulfilling several life-long dreams. I’ve gotten to know Disney fans and Disney cast members, gotten hands on with Disney’s history, walked where Walt walked… “Magical” really is the only word.”
All MMOs have patches. Players have come to terms with the thought that they’re going to have to wait for that download bar to fill every so often. Every now and then, though, a patch worthy of some more thought comes out. For Guild Wars 2 players, one of those major content patches finally came.
On January 28, a major patch was released that included what is referred to as the “Flame and Frost: Prelude,” the first entry in a full story series moving forward. The description according to the patch notes say:
A mystery presents itself in this first entry in a multipart Living Story series. What could be causing such discord in the foothills of the Shiverpeaks? All those poor homesteaders and ranchers displaced with nowhere to go calls into question if the storms could be that bad—or if there’s something more sinister stirring up the flame and frost. The ground is shaking, and the sky is falling in northern Wayfarer Foothills and Diessa Plateau. Norn and charr refugees, crawling from the wreckage of their homes, are fighting their way to shelter in Hoelbrak and the Black Citadel. Many are in shock and wounded; most have only what they can carry on their backs. A call has gone out for volunteers to assist them in their time of need, when the environment itself seems to have become their enemy.
You can get all of Guild Wars 2 patch notes and read up on everything we couldn’t cover at the official Guild Wars patch notes here.
Call Of Duty fans on the PC and Playstation 3 might feel a bit shafted by this news. Activision have once again partnered with Microsoft for exclusitivity of DLC for a limited time. Coming today, we saw the release of the first DLC map pack for the game: Revolution. The only problem here is that Xbox 360 owners get to enjoy the content there is no word on when or even if PC and Playstation owners will get access to content at all in the future.
On the game a representative from Activision gave this shocking statement:
“We always strive to give our fans great new content and gameplay experiences,” said Mark Lamia, Treyarch’s Studio Head. “On the multiplayer and Zombies fronts, we’ve delivered the most expansive DLC offering in our studio’s history, with experiences fans have never seen in the franchise before: from four maps in exciting new locations with dynamic environments, to a new Zombies mode of play, to a new bonus weapon in multiplayer – it’s all there and then some.”
You strive to give your fans great new content? What about Playstation 3 and PC owners? Are they not fans? I think that a game with this large a fanbase might just give the gaming industry the push it needs back in the right direction. Be sure to check out the Official Site for more details.
What do you think of this news? Let us know in the comment section below.
We recently had the opportunity to interview the director of Hansel & Gretel: Witch Hunters, Tommy Wirkola, and its producer, Kevin Messick, as part of a roundtable media event. We got in pretty much all of our questions, and received some great insight into the making of the film. Before reading the interview below, here is a quick background on the two:
Tommy Wirkola (Far Right) was born in Alta, Norway, but studied film at Bond University here in Australia. He was first widely recognised on the global film-making scene for his 2009 zombie-comedy Dead Snow. His deft blending of comedy and horror, very much in the vein of Sam Raimi – who Wirkola sites as an inspiration – got him noticed by some great Hollywood producers. Kevin Messick was one such producer. Now, Tommy has seen a decade-long dream come to fruition with Hansel & Gretel: Witch Hunters.
Kevin Messick (Far Left) is one of four producing partners at Gary Sanchez Productions, alongside Will Ferrell, Adam McKay and Chris Henchy. He has worked on many projects, including the hilarious The Other Guys (2010), Casa de mi Padre (2012), this month’s release Jack Reacher, and now Hansel & Gretel: Witch Hunters. Upon being pitched the idea for the film, Messick was immediately keen to get this project made and the rest is now history.
Without further ado, enjoy the interview!
Thanks for this opportunity guys. Now, Kevin, was it something about Dead Snow in particular that attracted you to the prospect of working with Tommy?
Messick: It was awesome and I had no idea what to expect. I was at that Sundance Film Festival with a small drama that a buddy of mine had written and directed, and he was the one that was like “there’s this crazy Nazi zombie film, it’s a midnight, c’mon!” and so he kind of dragged me along to it. And it was sold out; people were fighting trying to get in! And it played like a concert film; the audience was laughing, screaming, talking back to the screen – it was just a really fun ride! It reminded me of those early Sam Raimi films. So I was coming back to L.A. and was just starting with Adam McKay and Will Ferrell as a producer for their company and tracked down Tommy through his agent, met him and he told us this idea of what he wanted to make next…
Wirkola: Well I told you five ideas! But, I saved this one for last…
Messick: Yeah, on the way out the door – “got anything else?” (Laughter)
Wirkola: I had a friend do some early artwork to go along with it too. I was just warming them up with the others.
Messick: We sold it within a week to Paramount and started working on the script right away. From a timeline perspective, we look back and it’s still pretty remarkable – two years later we were in Germany in pre-production building Augsburg.
It’s rare to hear about a quick turnaround like that…
Wirkola: It was a lot of… [Searching for the right word in English]
Messick: Perspiration? …Sweat, blood, tears?
Wirkola: No, when things just fall into place. Timing wise, there were rumours of other fairy-tale movies being made and Paramount wanted to be first. We ended up shooting first, but actually releasing last, which I think worked to our advantage. It was a crazy process. I still think, to this day, “how the hell did this movie get made?î Because it’s not a classical studio movie. It’s very R-rated, it’s got a mean sense of humour that you either love or hate and it took balls from Paramount to green-light it.
So, what do you think it was that made the initial pitch so attractive to studios?
Wirkola: I think it’s strong because everyone who has heard the fairy-tale, hopefully like me, has always wondered “what’s happened to these characters?” because the fairy-tale leaves them at such a fun place. They are left in the forest by their parents to die and they get trapped by a witch who tries to eat them but they end up burning her alive. For two young kids…I mean, that’s a great first act for any film, and it leaves the characters in such a great place. So I was just, hopefully, spinning on the curiosity of what happened to these two kids.
Messick: They grow up with a big beef! (Laughter)
Wirkola: I think it’s fun if you can take something everybody has a relationship to and put a fun little spin on it that hopefully gets everyone curious and excited.
How important was it for you to cast, for the majority, Scandinavian/German actors?
Wirkola:It was really important to me, and also to shoot it in Europe – I pushed very hard for that because I didn’t want it to feel like an American or Americanised world. I wanted Hansel and Gretel to have an American accent because I wanted them to feel like the outsiders and also to feel a little bit more modern compared to the rest of the film’s world. But yeah, there are Germans, Finish, Danish, Swedish and a lot of Norwegians actually.
Messick:It’s very uncommon for a big studio film, and because we were shooting over there, there was a great talent pool that we were able to pull from locally, which was also good for the film financially. But, weirdly enough, as with Famke and Peter Stormare, who also have European roots, the sum total of the cast does have this great European vibe that hopefully lends itself to the fairy-tale world we created.
Wirkola: And being from Norway, I got to use a lot of, who are considered great Norwegian actors in tiny parts, because I thought it’d be fun. Bj¯rn Sundquist, who plays Jackson, is considered to be Norway’s answer to Jack Nicholson. He’s won tons of awards and is a very serious actor, a great person…
Messick: And in our movie, he blows his head off. (Laughter)
Wirkola: He just thought it’d be fun to do something crazy like this. He told me on set, “you know Tommy, these last 20 years I’ve just been sitting and talking in movies, and finally I get to do some action, I get to kick ass!î So it was fun, and I’m really happy and proud that I got to use so many Norwegians and Scandinavians, and Pihla Viitala, who plays Mina – we just, by chance, found her in a German casting office and saw a tape of her and was blown away. She’s beautiful and strong and now hopefully she can use this to do something more in Hollywood.
We had heard that Noomi Rapace was tied to the film, and actually that the role of Gretel may have been written with her in mind. I don’t know where that came from…
Wirkola: It actually says that on IMDB, did you see that? [Directed at Kevin]. It came from Jeremy, that’s the funny part…
Messick: Yeah, it was at the Venice Film Festival.
Wirkola:Yeah, and I know Noomi a little bit and she was someone that we talked to for a while, but it just never came into play. She went on to do Prometheus, and then we found Gemma after that. And as soon as we saw Gemma, there was nobody else.
We loved the film,but had this not been green-lit, would you have put this out in some other format – maybe a book or a comic?
Wirkola: Maybe a comic book would have been the way to go then. I think it would have translated really nicely to that actually. I also thought for a while, if I couldn’t get it done in Hollywood maybe I could get it made back in Norway, but I don’t think I would have ever gotten the budget for that. You know, it’s funny when we pitched it, we pitched it as a very tiny movie, and eventually it grew bigger and bigger. The studio really believed it and we ended up with a pretty decent sized movie.
Messick: But we had a back-up plan; we were ready to develop something else as a movie, but now that will be the next one.
Wirkola: A time-travel western (Laughter)
Could this possibly be a franchise? We’ve heard talks about that possibility already…
Messick: Yeah, it’s an obvious question that does come up, and we’ll see how it does. There are so many things that need to fall into place. We’re just happy that this film turned out as well as it did. If the conversation comes up, it’s a fun world and we loved the gang that we made it with – the actors I think would all have a good time.
Wirkola: It’s certainly a fun world to do more stuff with. And now that we’ve established the main characters of the world, we have big opportunities. But it’s up to the people and if they want to see more.
Messick: But for the guys I work with, Adam and Will, we just want to make another movie with Tommy. So if the conversation of a sequel lingers, we have other plans for other fun movies, hopefully that we can make right away.
And if it looked like it was going to happen, do you have any ideas about where the sequel would go, or would you have to sit down and really hash it out?
Wirkola: Um, I have some loose ideas, but I have some things in Norway I might do and some things in the U.S. I might do…it’s been a long time since I’ve actually directed something so I want to get back into now because this was a long post-production process. And hopefully that’s soon.
With the direction of the action sequences in the movie, we noticed it went and was shot very smoothly, if that’s the right word to use…
Wirkola: Yeah, the fight choreographer Sam Hargrave and 2nd unit director David Leitch, who’s done a lot of big movies, and I just clicked straight away and knew exactly what we wanted to do. I wanted to go in more of a classical route with the action, and not use shaky cam as much as it’s used these days and go back to cutting, getting tempo through the cutting and storyboarding and choreographing the hell out of it. I did want a slight retro feel to the action too.
Messick: It was all well planned out and it was pretty fun watching him and Dave Leitch work. He had a big warehouse in Berlin and all of the stuntmen and women would take the sequences that Tommy had storyboarded and would literally bring them to life – they filmed them as these video visualisations and cut them together with blood effects. Dave and Tommy would then literally go with the stuntmen in sweats with cardboard boxes and prop guns and design the sequences so that by the time it got to the day with the actors, they were pretty well honed.
Wirkola: Yeah, and again it’s about collaboration and I was so lucky that I got to work with these actors…they just loved the idea of doing a fun film and I think a lot of people were like “we can do what we want!”, of course within certain parameters, but they just went crazy, along with me!
So in terms of the sets, were the towns used real towns? How much had to be built?
Wirkola:We built a town on the backlot in Babelsberg, outside and…
Messick: There was only one real town, where they walk away from the funeral pyre, which is a town called Braunschweig.
Wirkola: But other than that we really went out into locations in the forests of Berlin and outside of Berlin and we built sets.
Messick:We built the farmhouse in the forest, we built the candy house in the forest, we built the tall witches house in the forest…
Wirkola:It’s just because I think, especially when you’re doing a fairy-tale movie with fantastical creatures, you have to ground it wherever you can. And I wanted to do that amongst nature and those surroundings. The exterior set we had to build was the stone circle at the end because it was impossible to find the right place.
Messick: We did look, and we scouted this spot in Saxon that had these big, craggy peaks that ended up being the basis for its look.
Wirkola: Yeah, it just would have been too hard. As much as I can, I will also use practical stuff and do location shoots. I think, unfortunately, so much these days filmmakers use CGI when they don’t have to. I think CGI is best only when it’s used to polish what you’ve captured on camera. For me, no matter how perfect CGI is…and that’s the problem with it for me, I think in general it’s too perfect. It’s too glossy, too clean and I think it’s something in your gut or in the back of your head that you feel it somehow as less dangerous. Obviously, great examples of CGI are Gollum in Lord of the Rings, but in general it’s relied on too much.
Along with Dead Snow and now this, is this comedy-horror genre work becoming your niche now and do you see yourself branching out?
Wirkola: Well, so far! (Laughter) Well, we’re planning on doing Dead Snow 2, hopefully soon, so I won’t be going away from that. But of course I want to do some other stuff as well. I think there will always be that sense of humour in my work, um…
Messick: I think it’s an attitude. The action script that he wrote for us, another project that he wrote for us at Paramount, whatever genre he goes into there’s this attitude and point of view to it.
Wirkola: Yeah, I would certainly like to branch out. Now, I don’t see myself doing a musical or something like that in the near future, but I am attached to a couple projects in Scandinavia that might be a little outside what I normally do. But, I’m not planning on leaving this stuff. I love the mix of genres, and when I was growing up, it was seeing Peter Jackson and Sam Raimi’s earlier stuff that was an eye-opener for me…because I was a horror geek growing up and I watched ‘Friday the 13th’, ‘Nightmare on Elm Street’ and ‘Halloween’. And sometimes all these movies were scary and extremely gory, but it was somehow still a fun ride to me. I was blown away by that – ‘Braindead’ especially, I remember fondly. So that’s something I truly love and hope to continue doing.
Okay, finally, we must ask…was the Candy House made of real candy?!
Wirkola: Just a very tiny part of it! The door had some little candy parts in it, and one of the hanging icicles. The rest was probably very poisonous and you would have died if you tried to eat it. The kids had very strict directions! (Laughter)
Well people should look forward to Hansel & Gretel: Witch Hunters’ nationwide release February 7th. Awesome, thank you both for the interview!
G5 Entertainment and DAVA INC. released their latest title for iOS. Old Clockmaker’s Riddle is a match three type and story based puzzle game where players will need to complete over fifty levels to help Mr. Ryan rebuild a destroyed town. The task is make more challenging with frozen and locked pieces. The game features two mods, 12 upgrades, five magical tools, 25 houses to rebuild, and 25 mini-games.
